Jessica Pissini, Chelsea, Victor, and Lauren
We know that the digital tools we have today allow us to recreate historical data in a way that we have never been able to do before. Because of this, the objective of our final project is a comprehensive historical study of the reconstruction and coloring of two heads from the Nasher’s Brummer collection supported by digital tools. We have chosen the Head of the Virtue, previously worked on by Simon Verity, and the Head of a King, both of which are French in origin. The Head of the Virtue was originally from Notre-Dame Cathedral and is dated to the first half of the 13th century; there is a similar head at the Musée de Cluny in Paris. The Head of the King came from San Germain des Prés.
Our research related to each head will better contribute to producing a more historically accurate reconstruction, from the facial features to the coloring of the surface. Therefore, our main research questions will focus on the provenance of the heads, the value of the material used, and its uses. The value of the material used for the sculptures, as well as its surroundings, will affect how these may have looked and how they were used. Physically, the stone’s value has a direct relationship to the the pigmentation of the surfaces, since the amount invested will affect the colors available for use and will help us specify how we will digitally color our heads. Depending on the costs and location within the building, a sculpture could have been used to simply convey stories of the bible to those who could not read Latin, or for a wealthy patron to purchase heavenly leverage.
View our complete project here. View the models below.
Notre Dame Virtue:
Notre Dame Virtue, Restored Version by Simon Verity:
Head of a King, Restored Version by Jessica Pissini: